| It arrived without a return address. | But Dakota knew where
it came from. His old friend, Professor Goudy from the
Amsterdam School of Metallurgy and Menu Planning, was
always sending him scientific newsletters that he might
find interesting. Dak had received it that morning, but
hadn't looked at it until now, meditating in his Japanese
Garden. A giant silver koi with a big orange spot
splashed him, and when he went to wipe the water off his
clear bulletproof Lexan briefcase, he saw the envelope
and opened it without taking his usual
"possible-letter-bomb" precautions. No explosion. The most explosive thing the professor ever sent was a note about his kids: how tall his youngest, Nigel, was (in centimeters), what percent of his middle son, Trevor, was made up of titanium, or the best thing to serve with Pork. Nice little personal touches like that. But this time there was no note, just what appeared to be a scientific newsletter with a smear of blood the precise shade of AB negative across the page, ending at a box containing what looked to him like scientific gobble-de-gook. He was sorry there'd been no note. He always found the Professor's remarks charming and genuinely wanted to know this month's side dish suggestion. But nothing. He folded the newsletter and put it back in the thin brown paper wrapper not unlike the ones that hid the material arriving in the mail that Dak didn't want his neighbors to know he read. The truth was that these publications were artistic, He didn't get those magazines for the women, he got them to study the typography. Well, for the most part. He left the garden and put the envelope in his briefcase which reflected the sun into the face of a passing motorist, causing a minor traffic accident. Dak could tell from the angle of the sun that it was 12:45, almost time for him to present the ad he'd designed for Lux Liquid. Dakota Jackson was that rare breed: successful graphic designer by day-Internationally known secret agent evenings, weekends, and most holidays. His specialties were corporate identities and thwarting insane dictators hell bent on ruling the world. |
| Once again his presentation was flawless, the client loved his surreal yet commercial design of a woman's hands on a crab's body. | They adored the tag
line: You may be crabby, but that doesn't mean your
hands should be. They were bowled over by his
creative use of Optima (Dak himself was the
personification of Optima). Yes, It was another winning
presentation. Usually after such a success he'd call his
partner Arial. She'd put on cruelty-free make-up, they'd
go out and have an exotic vegetarian dinner, do a little
dancing in non-leather shoes at some club decorated with
neon palm fronds. Then they'd go to her place for a
little wrestling match. But not today, Dak was
preoccupied by something. He didn't know what it
was, but he knew that something wasn't square. He pulled out his cellular phone and called the office. No answer. No Answer? In the middle of the day? All those billable hours shot to hell? He raced back to the office, well as fast as his silver 1976 AMC Pacer could race, which was something like 55 on flat stretches of road (he didn't have to worry about exceeding the speed limit) or 65 downhill. Everyone laughed when he first bought the car, but now it was widely regarded as a classic ahead of it's time, the car that inspired all the cars of the 1990's. Fewer were made than any other American production car after WWII, and people were constantly trying to trade him their new Porsches, Mercedes, Lexises and Infinities but he just grinned and shook his head. He wasn't happy when the car was featured in Wayne's World because teenagers crowded around the car and actually touched it, but what can you do? His office, once a Texaco station with an ocean view, was now a glowing edifice of curved glass block. All that remained of the original was a gas pump turned into a fountain, and the cash register, both prominently placed in the lobby. Art and money. Not subtle, but then, hey, people have a tendency to overlook subtlety. Other than the burbling gas pump, the place was deserted. He'd expecting to see the usual mob of faceless corporate executives lined up begging him to give them a corporate identity. Ever since he came up with the idea to have Calvin Kline's clothing models actually wear clothes he was much in demand. But his waiting room was empty. The whole office seemed deserted. No receptionist. No Arial at her PC with the LCD Pivot Monitor (there was nothing like a sexy woman with a sexy monitor). No one. Even stranger-the place was a mess. Well, it was always a mess, but it didn't usually have bullet holes in the wall. "We'll never be able to match this paint" he thought to himself, "Maybe we can make more holes and call them 3-d polka dots." Then, out of the corner of his eye, he saw a "While you were out" Post-It-Note stuck to his own Pivot. The note was printed in 12 point Univers Condensed, a good choice for those times when you have to get a lot of exposition into a small amount of space. It said:
Dak thought that the ransom note would have looked more dramatic set in a typeface called Mystery like this: |
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